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Wednesday, June 4, Film Analysis: Beginning with part of a body being found in the Hudson River, Cruising expresses a dark reality where decaying bodies get found, examined, and there are no suspects. As the opening sequences begin, we're introduced to police officers in the 6th precinct who rattle off remarks about the women in their lives and the gay club world around them that sound as though they could have been lifted from one of Travis Bickle's voice-overs in Taxi Driver While they two men in drag are in the squad car at the mercy of the corrupt lawmen, a killer is on the prowl.
In Stanley Kubrick's masterpiece A Space Odysseya complex variation of the Kuleshov Effect is used to express an inner thought that a character has. In "The Dawn Of Man" sequence at the beginning ofone of the apes picks up a bone and uses it to smash the skull of a dead animal.
During this scene, Kubrick intercuts footage of a live animal falling to the ground as though it is being hit and places it after the image of the skull being hit. The result of seeing the ape, seeing what he is actually hitting, and then seeing a live animal reacting as though it is being hit allows for the audience to infer that the ape is imagining using the bone to kill a live animal.
Enter — more than fifteen minutes into the film — Officer Steve Burns Al Pacino who is hoping to go up in the ranks as fast as possible. From the moment that he accepts Edelson's offer, Burns begins living a double-life that even his girlfriend Karen Allen isn't privy to.
To defy genre is to consciously act against audience expectations. As the film progresses, Cruising does just that.
It's a film uniquely sure of itself, in that it never falters or disrupts the tone that the first fifteen minutes of the film effectively establish — even though the audience doesn't have a protagonist to follow.
Instead, we learn about Burns cover identity and the extent of his knowledge as he is given the opportunity to use it. It is not to say that Cruising is a humorless film, as it has some incredibly well-done comical moments, it's that the humor is reflective of the tone of the film and consistent to its message.
That cohesiveness is reflected in an interrogation scene that briefly transforms into a torture sequence both comical and morally disturbing when a gigantic black man wearing only a cowboy hat and a jock strap walks into the room and slaps Burns so hard that he falls out of his chair and has a bruise on his face in the shape of the man's palm for the remainder of the film.
Suddenly what was once funny only a few minutes ago is frightening as it should be. Regardless, it's a bold move for the year and is still thoroughly shocking today.
Friedkin then cuts back to Burns in closeup Pacino is staring with a cold expressionand then Friedkin cuts back to the man at the sex hammock — but instead of showing the events from a realistic vantage, Friedkin shows the reverse shot in an extreme closeup of the man's hand as he lathers it up with a lubricant.
The importance and role of image in the kind of clubs that Friedkin portrays makes stereotypically masculine builds essential to Burns' success undercover — it's much more than just a change of wardrobe, it's a dedication to a culture that bares all. As Burns begins to get more sexually frustrated with his girlfriend, it's understandable that he is effected by what he has seen with his exposure and proximity to such explicit degrees of debauchery that are foreign to his own lifestyle.
Specifically after the interrogation sequence, Burns begins to question why he should continue his undercover operation. By the time that Burns successfully lures the murderer, the event of actually stopping him is so quick that it may be disappointing for most audiences.
The opening shot of a tugboat in the Hudson River is recreated, and the film cuts to black. How Burns is changed is a bit ambiguous, but that's what the film is about.Theme Analysis in The Boys in the Band, a Movie by William Friedkin PAGES 4.
WORDS View Full Essay. More essays like this: Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed. - Jenna Kraig, student @ . The Blu-Ray Edition of Boys in the Band contains the same extra features as the DVD.
There is an audio commentary by the Director, William Friedkin (who later directed The Exorcist) and a three-part featurette/5(90). Jun 24, · Watch video · Directed by William Friedkin. With Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou.
Four unfortunate men from different parts of the globe agree to risk their lives transporting gallons of nitroglycerin across dangerous South American jungle/10(K).
Find The Boys in the Band (die Hart [Import anglais] at timberdesignmag.com Movies & TV, home of thousands of titles on DVD and Blu-ray. The Boys in the Band did score a very real breakthrough at the time it was released, earning an R rating from the MPAA.
Just the year before, The Killing of Sister George () and Midnight Cowboy () had both gotten X ratings simply because there were homosexual characters in the films. William Friedkin’s Sorcerer remains one of the most curiously mistreated Hollywood films of all time.
Interview with William Friedkin – The Movie Show, SBS Television, circa November, William Friedkin: William Friedkin’s Groundbreaking “The Boys In The Band” Is November’s Must-Have New Blu-ray. Posted On 05 Oct